Isaiah.41

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

This festive setting of REGENT SQUARE is filled with joy, an exciting piece for Christmas Eve worship or a Christmas program. The extended introduction allows for a Christmas processional, and the whole

The early American tune LAND OF REST receives new text that includes quotes from For the Beauty of the Earth and Amazing Grace. An engaging piano groove provides a rustic underpinning for

"Venite ad me; Come to me, all you who labor." Latin and English texts comingle in this almost chant-like anthem that opens with a cappella "alleluias." Occasional dissonances are quickly resolved in the

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

Your choir will love singing this combination of the classic hymns Near the Cross and Blessed Assurance. Beautiful divisi harmonies soar above the flowing piano accompaniment which moves

This collegiate style arrangement from Ed Hogan brings the angel’s announcement of the birth of Jesus into a new light. This traditional hymn text from Johann Von Rist, a pastor’s son, has

With sustained legato lines and subtly shifting harmonies, this anthem is both graceful and intriguing. Based on Ephesians, this is the perfect text for Reformation Sunday. This anthem could also be sung

Referencing Come, Ye Thankful People, Come, this anthem offers a lush melody and sweeping piano accompaniment. The text calls God's people to gather in gratitude and to share His abundance with

Alexander Carmichael's "Carmina Gadelica" is a six-volume set of various prayers, songs, poems, invocations, and other lore he collected over a close to 50-year period (1860-1909) in the Gaelic speaking

This jubilant song of thanksgiving is a true dance of praise in 6/8. The middle section quotes the familiar text I Sing the Mighty Power of God set to the KINGSFOLD tune, bringing a welcome

Ring in the sounds of this 13th-century Christmas hymn with a dazzling new arrangement from Nick Palmer. This piece features two solo voices, with the choir (and assembly, if desired) singing the refrain

The Charles Wesley hymn is given a fresh treatment with this upbeat arrangement of the RATISBON tune. Verses one and three are treated to a variety of metric shifts, with a central verse in a slower 4/4

This calm and contemplative work expresses a sudden clarity of purpose in life's journey. Lancelot Andrewes and William Wordsworth's text frames this work that is appropriate for any time of the year, but

This concertato on ST. GEORGE WINDSOR begins with an introduction in which the melody is set against a jaunty countermelody of dotted rhythms, a motif which recurs throughout the piece. The first verse is

Two well-known hymns are woven together both thematically and musically in this anthem that's appropriate for Thanksgiving or any occasion where thankfulness for God's creation is the focus. Flexibly voiced

Building from a rhythmic ostinato, this triumphant anthem arrangement soars with energy and grandeur on the DIADEMATA hymn tune. Cleverly interweaving Beethoven's HYMN TO JOY, in addition to the powerful

This festive triptych is based on the tunes CORONATION, MILES LANE, and DIADEM, which are paired with the text All Hail the Power of Jesus' Name. A hymn concertato for choir and optional

John Donne's sonnet Death, Be Not Proud is paraphrased and set as a concertato on the original tune SUSAN BETH with organ accompaniment. The middle verse is a cappella, and a descant crowns the